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Yang Terbaik is a greatest hits album by Indonesian singer Ari Lasso. It was released on June 15, ... "Aku dan Dirimu (ft. Bunga Citra Lestari)" Pay Burman & Dian Nebula:
The soundtrack of this film was also taken from Bunga's first album, titled "Mengapa Harus Terjadi" ("Why Must It Be?"). At the end of 2007, she did a duet with Indonesian singer, Ari Lasso in a single titled "Aku dan Dirimu". From her collaboration with Ari Lasso, she won an award from Indonesian Music Awards (AMI) for "Best Pop Collaboration".
Lasso also includes musicians who merged his albums sold in KFC stores like Cinta Laura, Indah Dewi Pertiwi, Agnes Monica, SM*SH, T.R.I.A.D, Rossa, Slank, Last Child, Ello, Sammy Simorangkir, Armada and Ungu. In 2016, Ari Lasso joined the judging panel of season 2 of The Voice Indonesia. [6]
"Badai Pasti Berlalu" ([ˈbadai ˈpasti bərˈlalu]; English: "The Storm Will Surely Pass") is an Indonesian song written by Eros Djarot and released in 1977 as part of the soundtrack of Badai Pasti Berlalu.
In 2016, Mo joined the coaching panel of the season 2 of The Voice Indonesia with Kaka, Ari Lasso and Judika. [79] She also joined the coaching panel of The Voice Kids Indonesia with Bebi Romeo and Tulus. [80] On 22 September 2017, Mo released a single titled "Long As I Get Paid". [81] She released her debut international album, titled X on 10 ...
Gesang Martohartono (1 October 1917 – 20 May 2010) [1] was an Indonesian singer-songwriter from central Java.He is the composer of the "Bengawan Solo," famous song throughout Indonesia, Japan, part of Asia, and some other countries.
The BC Liquor Distribution Branch (BCLDB) is the governmental body responsible for distributing alcohol and cannabis products in the province of British Columbia, Canada.The BCLDB operates under the Ministry of Finance and was established in 1921 as the Liquor Control Board. [1]
The song was recorded during the early 1977 Aja sessions at The Village Recorder in Los Angeles. [10] Gary Katz produced the song, as he had for every Steely Dan album. Roger Nichols and three other recording engineers did that task, work for which they would later share that year's Grammy Award for Best Engineered Non-Classical Recording.