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Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Although it can be argued [1] that An Anthology is not strictly a Fluxus publication, its development and production were central events in the formation of Fluxus. It marked the first collaborative publication project between people who were to become part of Fluxus: Young (editor and co-publisher), Mac Low (co-publisher) and Maciunas (designer).
Water Yam, First Edition, 1963. Water Yam is an artist's book [1] by the American artist George Brecht.Originally published in Germany, June 1963 [2] in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since.
Something Else was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, [1] [2] [3] novelist Mary Flanagan, artist Ronnie Landfield, [4] [5] and publisher/founder Dick Higgins.
In 1969 Jones opened his own Tone Deaf Music Store (aka Joe Jones Music Store and/or JJ Music Store) at 18 N. Moore Street in New York City. There he presented his repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machine noise music in the window. [4]
Robert Filliou (17 January 1926 – 2 December 1987) was a French artist associated with Fluxus, who produced works as a filmmaker, action poet, sculptor, and happenings maestro. Life [ edit ]