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Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
Pitch shifters are included in most audio processors today. A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On ...
The Eltro information rate changer was an analog recording tool for changing pitch without changing speed and vice versa. Patents for the device date from the 1920s. [1] The Eltro was the first machine capable of changing audio pitch (frequency) and speed (time) independently of each other.
Pitch correction devices became popular in the late 1990s as a distinctively electronic, vocoder-like voice effect. A notable example of Auto-Tune -based pitch correction is the Cher effect , so named because producer Mark Taylor originated the effect in her 1998 hit song " Believe ". [ 4 ]
Screenshot of Audacity 3.2.1 on Windows showing spectrograms of an audio clip with portamento (upper panel) and the same clip after applying pitch correction, showing frequencies clamped to discrete values (lower panel) Audacity has several features to allow for spectrum analysis using the Fourier transform algorithm [31] [32] and spectrograms.
PSOLA (Pitch Synchronous Overlap and Add) is a digital signal processing technique used for speech processing and more specifically speech synthesis. It can be used to modify the pitch and duration of a speech signal. It was invented around 1986. [2] PSOLA works by dividing the speech waveform in small overlapping segments.
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A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM.
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