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Metropolitan Museum of Art, New York The Meteor of 1860: c. 1860–61: Oil on canvas: 10 in × 17 + 1 ⁄ 2 in (250 mm × 440 mm) Private collection [4] Twilight in the Wilderness: 1860: Oil on canvas: 101.6 × 162.6 cm: Cleveland Museum of Art, Ohio The Icebergs: 1861: Oil on canvas: 163.83 × 285.75 cm: Dallas Museum of Art, Texas Our Banner ...
Twilight in the Wilderness is an 1860 oil painting by American painter Frederic Edwin Church. The woodlands of the northeastern United States are shown against a setting sun that intensely colors the dramatic altocumulus clouds .
Jacob Black is a character in the Twilight book series by Stephenie Meyer.He is described as an attractive Native American of the Quileute tribe in La Push, near Forks, Washington.
Trained in stained glass and working in an Art Nouveau style, O'Shaughnessy designed a series of windows and interior stencils for Old Saint Patrick's Church in Chicago, a 10-year project begun in 1912. Louis Sullivan, the Chicago architect, incorporated dense Art Nouveau and Celtic-inspired interlace in the ornament of his buildings. Sullivan ...
The Guide includes exclusive new material about the world Meyer created in Twilight, New Moon, Eclipse, Breaking Dawn and The Short Second Life of Bree Tanner, and nearly a hundred full-color illustrations by illustrator Young Kim, who previously illustrated Meyer's #1 New York Times Best Seller Twilight: The Graphic Novel, and several other ...
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
Letter sketch, 2 October 1888, now in the Van Gogh Museum, Amsterdam. Van Gogh announced and described this composition in a letter to his brother Theo: Included a small sketch of a 30 square canvas - in short the starry sky painted by night, actually under a gas jet. The sky is aquamarine, the water is royal blue, the ground is mauve.
The first sketch I did showed a metal skeleton cut in half at the waist, crawling over a tile floor, using a large kitchen knife to pull itself forward while reaching out with the other hand. In a second drawing, the character is threatening a crawling woman. Minus the kitchen knife, these images became the finale of The Terminator almost exactly.