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In Sonnet 102, Shakespeare addresses his lover (the "fair youth") and compares his love poetry to the song of the nightingale, noting that "her mournful hymns did hush the night" (line 10), and that as a poet would "hold his tongue" (line 13) in deference to the more beautiful nightingale's song so that he "not dull you with my song" (line 14).
Mother playing with infant, singing the tongue-twister (1913). "Moses supposes his toeses are roses" is a piece of English-language nonsense verse and a tongue-twister , whimsically describing the prophet Moses mistakenly conjecturing his toes are roses , contrary to biological reality.
Birpurush" (Bengali: বীরপুরুষ, IPA: [biːrpuruʃ], English:The Hero) is a Bengali poem written by Rabindranath Tagore. The poem depicts a child fantasising that he saves his mother from dacoits. [1] [2] In the evening, when the sun is set, the child and his mother reach a barren place. There is not a single soul there.
The original English nursery rhymes that correspond to the numbered poems in Mots d'Heures: Gousses, Rames are as follows: [3] Humpty Dumpty; Old King Cole; Hey Diddle Diddle; Old Mother Hubbard; There Was a Little Man and He Had a Little Gun; Hickory Dickory Dock; Jack Sprat; Peter Peter Pumpkin Eater; There Was a Crooked Man; Little Miss ...
A key theme in “A Cradle Song” is the mother's love for her child. The mother uses the word “sweet” ten times in the poem. She makes the infant seem angelic by the way she describes the child. The mother claims her child is “dovelike”, using the dove as a symbol for holiness and love. The woman ties the spiritual world to the physical.
"The Little Smuggler" (Polish: Mały szmugler) is a famous poem by the Polish poet Henryka Łazowertówna (1909–1942). Written in the Warsaw Ghetto during the Holocaust, it tells the story of a small child who supports his starving family by — illegally, under Nazi dispensation — bringing over food supplies from the "Aryan side", thereby allowing for his family's survival while at the ...
“In a ballroom context, a mother can be a ‘drag mother’ who teaches a new queen the art and perhaps the business of drag or vogue or emceeing — a present figure who enables their self ...
The poem opens [4] in a way that suggests reflection—the speaker remembers (and, is so, older now) the night his mother was stung by a scorpion, which bit the mother because of its predatory impulse, while hiding beneath a bag of rice to escape from the rain. The speaker specifically remembers this night due to this event namely, the mother ...