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The root word mock traces to the Old French mocquer (later moquer), meaning to scoff at, laugh at, deride, or fool, [3] [4] although the origin of mocquer is itself unknown. [5] Labeling a person or thing as a mockery may also be used to imply that it or they are a poor quality or counterfeit version of some genuine other, such as the case in ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
The "copybook headings" to which the title refers were proverbs or maxims, often drawn from sermons and scripture extolling virtue and wisdom, that were printed at the top of the pages of copybooks, special notebooks used by 19th-century British schoolchildren. The students had to copy the maxims repeatedly, by hand, down the page.
But in 1 Thessalonians 1:6 Paul the Apostle refers to the imitation of Christ, as well as himself, and states: "And ye became imitators of us, and of the Lord, having received the word in much affliction, with joy of the Holy Spirit". [1] [3] Similarly, in 1 Peter 2:21, the Apostle Peter explains the duty of Christians to "follow his [Christ's ...
"Man is the creature who does not know what to desire, and he turns to others in order to make up his mind. We desire what others desire because we imitate their desires." [2] Mimetic theory has two main parts - the desire itself, and the resulting scapegoating. Girard's idea proposes that all desire is merely an imitation of another's desire ...
This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ideals. The phrase may be considered synonymous with anti-mimesis , the direct opposite of Aristotelian mimesis : art imitating real life.
The devotional approach of The Imitation of Christ emphasises the interior life and withdrawal from the mundanities of the world, as opposed to the active imitation of Christ practised by other friars. [1] The devotions of the books emphasize devotion to the Eucharist as the key element of spiritual life. [1]
According to Goethe's concept, yellow undergoes a transition of light becoming darker when light reaches its peak; just as the Sun shines in the sky, it develops into a colourless white light. But the light deepens and evolves the yellow into an orange and then finally to a ruby-red hue. [ 5 ]