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In Bergsonism, Deleuze writes that "virtual" is not opposed to "real" but opposed to "actual", whereas "real" is opposed to "possible". [3] Deleuze identifies the virtual, considered as a continuous multiplicity , with Bergson's " duration ": "it is the virtual insofar as it is actualized, in the course of being actualized, it is inseparable ...
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Desiring production is a primary and transcendental (in the immanent or Kantian sense) and virtual process of the perpetual emergence of corporeal, and incorporeal relations, which develop and emerge from real genetic, organic, and anorganic histories, social machines, and contingent worlds or "modes" of desiring production. Desiring machines ...
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
Plane of immanence (French: plan d'immanence) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside. Deleuze "refuses to see deviations, redundancies, destructions ...
Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps) (1985).
Works by Gilles Deleuze (18 P) Pages in category "Gilles Deleuze" The following 22 pages are in this category, out of 22 total. This list may not reflect recent ...
Deleuze uses the introduction to clarify the term "repetition." Deleuze's repetition can be understood by contrasting it to generality. Both words describe events that have some underlying connections. Generality refers to events that are connected through cycles, equalities, and laws.