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Chit (Sanskrit: चित् or Cit) is a Sanskrit word meaning consciousness. [1] It is a core principle in all ancient spiritual traditions originating from the Indian subcontinent, including Hinduism, Sikhism and Jainism.
Citta (Pali and Sanskrit: 𑀘𑀺𑀢𑁆𑀢, pronounced chitta) is one of three overlapping terms used in the Nikaya to refer to the mind, the others being manas and viññāṇa. Each is sometimes used in the generic and non-technical sense of "mind" in general, and the three are sometimes used in sequence to refer to one's mental processes ...
Anubandha chatushtaya (Sanskrit: अनुबन्ध चतुष्टय) literally means four connections, and therefore, it is four-fold in nature and content viz, – a) adhikāri ('the qualified student') who has developed ekāgrata ('single pointed mind'), chitta shuddhi ('purity of the mind') and vikshepa ('freedom from restlessness and impurity') or adhikāra (aptitude); b) vishaya ...
Ahaṁkāra is one of the four parts of the Antahkarana (inner organ) described in Vedanta; the other three parts include Buddhi, Citta, and Manas.In the Uttara Mimamsa or Vedanta branch of Hindu philosophy, though not extensively discussed in the Bhagavad Gita, Krishna informs Arjuna that Ahaṁkāra, be removed.
Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
The seeds are used as beads to make malas (rosaries), known as Bodhichitta malas, [2] Buddha chitta mala, or Bodhi seed malas, used in Tibetan Buddhist worship. These are highly valued with a mala of 108 beads costing up to 80 thousand Nepalese Rupees. However the price of the mala varies according to the diameter and the face of the seed.
Most sources state the word Prāyaścitta originates from Prāya and citta, which Kane states respectively mean "austerity" and "a resolve". [11] However, some Indian scholars such as Hemadri state that Prāya implies destruction, while citta implies "joining together", or "joining together what was destroyed", making good what was lost. [ 11 ]
The Appeal, Linocut print, 11.0 x 7.0 in., DAG Museums. Chittraprosad’s most creative years began in the 1930s. He satirized and sharply criticized the feudal and colonial systems in quickly drawn but masterful pen and ink sketches.