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The Bishop's Gambit is a variation of the King's Gambit, a chess opening that begins with the moves: 1. e4 e5 2. f4 exf4 (The King's Gambit Accepted) 3. Bc4. Compared to the main line, the king's knight gambit (3. Nf3), there is very little theory on the Bishop's gambit and most lines are nameless. The bishop's gambit is the most important ...
Press illustration of act 3, scene 2, as staged in the original production. Scene 1: Laurent's cell. Roméo and Juliette, accompanied by Gertrude, go to the cell, and the wedding takes place. Laurent hopes that reconciliation between the houses of the Montagus and the Capulets may thus take place. Scene 2: a street near Capulet's palace
The Bishop's Opening is a chess opening that begins with the moves: . 1. e4 e5 2. Bc4. White attacks Black's f7-square and prevents Black from advancing the d-pawn to d5. By ignoring the beginner's maxim "develop knights before bishops", White leaves their f-pawn unblocked, preserving the possibility of f2–f4.
A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
The plot of Shakespeare's Romeo and Juliet takes place over four days while Brooke's narrative takes place over many months. Little is known about Arthur Brooke. He was admitted as a member of Inner Temple on 18 December 1561 under the sponsorship of Thomas Sackville and Thomas Norton. [2]
If, in the famous garden and cemetery scenes, the dialogue of the two lovers, Juliet's asides, and Romeo's passionate outbursts are not sung, if the duets of love and despair are given to the orchestra, the reasons for this are numerous and easy to understand. First, and this reason alone would be sufficient, it is a symphony and not an opera.
It was the first Broadway production of the play Romeo and Juliet since 1977. [1] The play ran on Broadway at Richard Rodgers Theatre from September 19 to December 8, 2013, for 93 regular performances after 27 previews starting on August 24 with Orlando Bloom and Condola Rashād in the starring roles. [2]
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.