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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence. [1]While related to and frequently confused with hardboiled detective fiction—due to the regular adaptation of hardboiled detective stories in the film noir style—the two are not the same. [2]
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The term black humor (from the French humour noir) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift. [8] [9] Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire [10] [11] in which laughter arises from cynicism and skepticism, [8] [12] often relying on topics such as death.
Pages in category "Indian neo-noir films" The following 103 pages are in this category, out of 103 total. This list may not reflect recent changes. 0–9.
Baazi was the first crime noir made in the country. It initiated a new genre called "Bombay Noir", the success of which encouraged and defined the later noir films of 1950s and '60s in Hindi cinema. [1] It was the first film in which Dev Anand came up with his unique style of rapid-fire. The film's story was partly inspired by the 1946 movie Gilda.