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Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Arbus' Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 Arbus' contact sheet from the photo shoot. Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 (1962) is a famous black and white photograph by Diane Arbus.
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...
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Diane Arbus photograph, Identical Twins, Roselle, New Jersey, 1967. Identical Twins, Roselle, New Jersey, 1967 is a noted photograph by photographer Diane Arbus from the United States. Since its debut Identical twins, Roselle, N. J., has become the image most closely associated with her large body of work. The photograph was chosen as the cover ...
The following year, he studied with photographer Diane Arbus in her master class. His photographs quickly drew assignments from major magazines including Esquire , The New York Times Magazine , Interview , Vanity Fair , The New Yorker , and the premier issues of Wired , Paper , Colors , and Spy .
In On Photography, Sontag examines the history and contemporary role of photography in society. She contrasts the work of Diane Arbus with Depression-era documentary photography and explores the evolution of American photography from Walt Whitman's idealistic notions to the cynicism of the 1970s. Sontag argues that photography fosters a ...
His 'Mirror' analogy represents self-reflective photography, represented in the book by Jerry Uelsmann, Paul Caponigro, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and ...