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Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis.The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis.
The solid-state reaction route is the most widely used method for the preparation of polycrystalline solids from a mixture of solid starting materials. Solids do not react together at room temperature over normal time scales and it is necessary to heat them to much higher temperatures, often to 1000 to 1500 °C, in order for the reaction to occur at an appreciable rate.
However, these sound cards did not employ any form of wavetable synthesis, [9] but rather PCM samples and FM synthesis. S&S (Sample and Synthesis) and Digital Wave Synthesis was the main method of sound synthesis utilised by digital synthesizers starting in the mid 1980s with synthesizers such as Sequential Circuits Prophet VS, Korg DW6000/8000 ...
A sample can be brief and only incorporate a single musical note (as is the case with sample-based synthesis), or it can consist of longer portions of music (such as a drumbeat or complete melody), and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated.
Solid-state chemistry, also sometimes referred as materials chemistry, is the study of the synthesis, structure, and properties of solid phase materials.It therefore has a strong overlap with solid-state physics, mineralogy, crystallography, ceramics, metallurgy, thermodynamics, materials science and electronics with a focus on the synthesis of novel materials and their characterization.
This template should be used on any articles or sections that unpublished synthesis, according to Wikipedia's policy on original research. Template parameters [Edit template data] This template prefers inline formatting of parameters. Parameter Description Type Status Scope (article or section) 1 This parameter allows an editor to replace the default phrasing "article or section" with another ...
Meta-analysis is a method of synthesis of quantitative data from multiple independent studies addressing a common research question. An important part of this method involves computing a combined effect size across all of the studies.
Concatenative synthesis for music started to develop in the 2000s in particular through the work of Schwarz [2] and Pachet [3] (so-called musaicing). The basic techniques are similar to those for speech, although with differences due to the differing nature of speech and music: for example, the segmentation is not into phonetic units but often into subunits of musical notes or events.