Search results
Results from the WOW.Com Content Network
The oldest surviving written account of Popol Vuh (ms c. 1701 by Francisco Ximénez, O.P.). Popol Vuh (also Popul Vuh or Pop Vuj) [1] [2] is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador.
The Popol Vuh Museum is a private, nonprofit, scientific institution supported by its own funds and external donations. The museum is operated by a board of directors of citizens of Guatemala interested in the preservation and public display of the exhibits. One of its missions is to provide an educational focus for people who want to see and ...
Xibalba was a large palace and a number of individual structures or locations within Xibalba are described or mentioned in the Popol Vuh.Chief among these was the council place of the Lords, the five or six houses that served as the first tests of Xibalba, and the Xibalban ballcourt. [9]
Title page of the Popol Vuh. Cosmovision is described extensively in the Popol Vuh, an ancient Mayan book, which describes the Mayan belief system concerning the creation of the world, the deities and their roles within the cosmos, as well as the importance of rulers. The survival of this text through translation, first as a hieroglyphic text ...
Xmucane ([ʃmukaˈne]) and Xpiacoc ([ʃpijaˈkok]), alternatively Xumucane and Ixpiyacoc, are the names of the divine grandparents of Maya mythology of the Kʼicheʼ people and the daykeepers of the Popol Vuh.
He drew inspiration from the Popol Vuh, a foundational text for the Kʼicheʼ people of Guatemala. And it was there where he first began toying with the idea of making “El Norte” a story about ...
Together, these two activities may have constituted a metaphor for the creation of mankind, with the book containing the birth signs and the head the life principle or 'soul', an interpretation reinforced by the craftsman titles of the creator gods in the Popol Vuh.
In the Classic period, the head of the skeletal God A serves as (i) the hieroglyph for the day Kimi, "Death," corresponding to Kame' in Quiché, also the name of the paired rulers of Xibalba in the Popol Vuh; (ii) the hieroglyph for the number ten (lajun), perhaps because the verbal stem laj-means "to end;" (iii) a variable element in glyph C ...