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The bass clarinet has been regularly used in scoring for orchestra and concert band since the mid-19th century, becoming more common during the middle and latter part of the 20th century. [6] A bass clarinet is not always called for in orchestra music, but is almost always called for in concert band music.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Basset clarinet Basset horn Alto Bass Contra-alto Contrabass; Amati-Denak E♭ C, B♭, A, G E♭ B♭ Backun Musical Services B♭, A: A (also joints in A) [1] B♭ E. K. Blessing B♭ Buffet Crampon E♭, D: C, B♭, A: A: F: E♭ B♭ EE♭ Benedikt Eppelsheim BB♭ Dietz Klarinettenbau: G: E♭, D: C, B♭, A, G: B♭, A: F
Clarinet quartet: three B ♭ clarinets and bass clarinet; two B ♭ clarinets, alto clarinet, and bass; and other possibilities such as the use of a basset horn, especially in European classical works. [97] [57] Clarinet quintet: a clarinet plus a string quartet or, in more contemporary music, a configuration of five clarinets. [98] [8]
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The earliest surviving instruments in Paris and London museums date from 1770. The basset clarinet was most notably associated with the clarinet virtuoso Anton Stadler (1753–1812), a contemporary and good friend of Mozart. The instrument used by Stadler was invented and built by the Vienna K.K. court instrument maker Theodor Lotz around 1788.
In addition to Leblanc clarinets, the G. Leblanc Corporation started importing brasswinds and saxophones made by the French firms Courtois and Beaugnier, respectively, branded "Leblanc." Leblanc's most distinctive saxophones at the time were its Model 100 and 120 "System" saxophones, the latest iteration of instruments designed by G. Leblanc ...
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
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