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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
Dactylic pentameter; Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French ...
Sonnet 60 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the form's typical rhyme, abab cdcd efef gg and is written a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
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A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee. The following line from John Keats's To Autumn is straightforward iambic pentameter: [2] To swell the gourd, and plump the hazel shells
The 14-line poem is written in iambic pentameter and consists of three quatrains and a couplet. Keats wrote the poem between 22 and 31 January 1818 . [ 1 ] It was published (posthumously) in 1848 in Life, Letters, and Literary Remains, of John Keats by Richard Monckton Milnes .
Christ refusing the banquet, William Blake (c. 1816–18). Illustration for Paradise Regained.. The poetic style of John Milton, also known as Miltonic verse, Miltonic epic, or Miltonic blank verse, was a highly influential poetic structure popularized by Milton.