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Fruit and Flowers (1860) by Roger Fenton. Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860.It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Weston photographed Pepper No. 30 using his Ansco 8×10 Commercial View camera with a Zeiss 21 cm lens. The smallest aperture on this lens is f /36. [citation needed] According to Weston's grandson Kim, it was shot at an aperture of f /240 with an exposure time of four to six hours. [5]
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray-monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.
A particular group of models, the so-called ‘supers,’ seen here in an iconic image by Los Angeles-born photographer Herb Ritts from 1989 entitled Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, marks that moment indelibly. And as the ethos of Hollywood and celebrity became primary in the worlds of fashion, beauty and luxury, Los ...
[5] [6] [7] Graham Thompson wrote "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism or hyper-realism and painters like Richard Estes , Denis Peterson , Audrey Flack , and Chuck Close often worked from ...