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Aquilaria malaccensis is the major source [6] of agarwood, a resinous heartwood, used for perfume and incense. [2] The resin is produced by the tree in response to infection by a parasitic ascomycetous mould, Phaeoacremonium parasitica , [ 7 ] a dematiaceous (dark-walled) fungus.
The agarwood is known as agor gach (আগর গাছ) and the agarwood oil as agor ator (আগর আতর). In Odia, it is called agara (ଅଗର). In Malayalam, it is called akil (അകിൽ). In Cambodia, it is called chann crassna. The fragrance from this wood is called khloem chann (ខ្លឹមចាន់) or khloem chann crassna.
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also ...
Fragrant scent played an important role at court during the Heian period (image from The Tale of Genji by Tosa Mitsuoki, 1617–91.). Nihon Shoki, a book of classical Japanese history, gives the first formal record of incense in Japan when a log of agarwood, a fragrant wood used in incense burning, drifted ashore on Awaji Island during the Asuka period in 595 CE, and was presented to Prince ...
The Boro music may lack the sophistication of established schools and forms of music, however, the khams (a long cylindrical drum) provide the beats and the rhythm for the Bagurumba dance ensemble, while sifung (flute) and Serja provide melody, together used to 'invite' young people to the festivities or celebration. The Bagurumba dance ...
Contemporary styles of music in West Africa have been influenced by American music, African jazz and gospel music. [2] The forced migration of Africans to the Americas as a result of the transatlantic slave trade gave rise to kaiso [ 3 ] music, which has influenced the sounds of Calypso , [ 4 ] a style with major popularity throughout West Africa.
Music was a normal part of social life in Mesopotamia [14] and was used in many secular contexts. [15] Music played important roles at funerals, [16] among royalty, [17] and was also depicted in relation to sports and sex. [18] Mesopotamian love songs, which represented a distinct genre of music, nevertheless shared features in common with ...
However, the old and aged women of the villages also play the guiding role during performance of this songs (Pasayat, 2008). Koisabadi Dance. This dance is prevalent among the Gond and the Bhuyan tribes. Male dancers take part, holding a two-three feet long stick. The songs are mainly based on the immortal love story of Radha and Krishna. [15]