Search results
Results from the WOW.Com Content Network
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]
For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them: × / × / × / × / × / Be it lawful I love thee, as thou lov'st those (142.9)
Costard is a comic figure in the play Love's Labour's Lost by William Shakespeare. A country bumpkin, he is arrested in the first scene for flouting the king's proclamation that all men of the court avoid the company of women for three years. While in custody, the men of the court use him to further their own romantic endeavors.
The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new"). [8]
Shakespeare uses a metaphor from the theatre to express the idea of the speaker's impotence in performing the "ceremony of love’s right" (line 6). Instead, the lover must read beyond such a performance, and read “between the lines” to understand the poet's love, as it is expressed in the silences between the words.
Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]
These so-called "pretty wrongs" are said to occur when the speaker is "sometime absent" from the youth's heart, meaning when the youth forgets his love for the speaker. The beauty and the years "befits" (accords with) the wrongs, where "befits" is the Elizabethan usage of a singular verb with a plural subject [ 8 ] which, according to Katherine ...
Gurr says in his work “Shakespeare's First Poem: Sonnet 145” that Shakespeare wrote this poem in 1582, making Shakespeare only 18. "The only explanation that makes much sense is that the play on 'hate' and throwing 'hate away' by adding an ending was meant to be read by a lady whose surname was Hathaway" (223).