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The cultural reign of abstract expressionism in the United States had diminished by the early 1960s, while the subsequent rejection of the abstract Expressionist emphasis on individualism led to the development of such movements as Pop art and Minimalism. [3]
In the early 1960s he became involved In the Op art and Kinetic art movements, exhibiting with Bridget Riley, Jeffrey Steele, Michael Kidner and Peter Sedgley.A fascination with interferometry influenced his work at this time and enabled him to develop the linear element in the collage works into a form of optical painting.
His painting Big A is an example of his color field paintings of the late 1960s. [21] [27] During the late 1950s and early 1960s, Frank Stella was a significant figure in the emergence of minimalism, post-painterly abstraction and color field painting. His shaped canvases of the 1960s like Harran II (1967) revolutionized abstract painting. One ...
Junk art – 1960s – Performance art – 1960s – Op Art – 1964 – Post-painterly abstraction – 1964 – Lyrical Abstraction – mid-1960s – Process art – mid-1960s – 1970s; Arte Povera – 1967 – Art and Language – 1968, United Kingdom; Photorealism – late 1960s – early 1970s; Land art – late-1960s – early 1970s; Post ...
Minimalism in visual art, generally referred to as "minimal art", literalist art, [2] and ABC Art [3] emerged in New York in the early 1960s. [4] Initially minimal art appeared in New York in the 60s as new and older artists moved toward geometric abstraction; exploring via painting in the cases of Frank Stella, Kenneth Noland, Al Held ...
One of Rothko's final paintings which relate closely to both Minimal art and Color Field painting. [24] During the 1950s abstract painting in America evolved into movements such as Neo-Dada, Post painterly abstraction, Op Art, hard-edge painting, Minimal art, Shaped canvas painting, Lyrical Abstraction, and the continuation of Abstract ...
His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
Overstreet's early work of the late 1950s to the mid 1960s assimilates his interests in Abstract Expressionism, jazz, and the painful realities of African-American history, in works such as The Hawk, For Horace Silver (1957), Carry Back (1960), Big Black (1961), and Janet (1964).
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