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TASCAM released the new Model series in the Fall of 2018 with the Model 24 integrated 24-track production studio for mixing, recording, and use as a DAW controller. TASCAM followed up with the Model 16, a lower-priced 16-track mixing/recording studio in 2019, and released the Model 12, which introduced MIDI controller capabilities, hardware ...
This modular, digital multitrack device uses tape as the recording medium and could record up to eight tracks simultaneously. It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [3] The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution.
The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity).
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
Three-head technology uses separate heads for recording and playback (the third of the three heads being the erase head). This allows different record and playback head gaps to be used. A narrower head gap is optimal for playback than for recording, so the head gap width of any combined record/playback head must necessarily be a compromise.
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