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"Thriller" is a disco song featuring a repeating synthesizer bassline and lyrics and sound effects evoking horror films. It includes a spoken-word sequence performed by the horror actor Vincent Price which begins at the 6:33 mark on the music video and 4:25 in the album version.
The second side contained 10 sound effects meant for others to create their own stories. Despite the title, not all the cuts were related to haunted houses or witches or ghostly spirits. Featured were such situations as an ocean liner hitting rocks, an idiotic lumberjack , a man crossing an unsafe bridge, someone lighting a stick of dynamite ...
The Thriller video makes many allusions to horror films. [3] The opening scene parodies 1950s B-movies, with Jackson and Ray dressed as 1950s teenagers.The metamorphosis of the polite "boy next door" into a werecat has been interpreted as a depiction of male sexuality as bestial, predatory and aggressive.
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Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
Sound Effects No. 13 – Death & Horror is an album produced by Mike Harding of the BBC Radiophonic Workshop and released in 1977 by BBC Records & Tapes.It is the thirteenth instalment in the label's Sound Effects series and contains over 80 sound effects related to horror and death, so that producers may use them in amateur film and stage productions.
According to Danish noise and music theorist Torben Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a musical acoustics definition, a second communicative definition based on distortion or disturbance of a communicative signal, and a third definition based in subjectivity (what is noise to one person can be meaningful ...
If this effect requires high immersion because event updating demands direct experience and structural environment influences, reducing screen size might diminish immersion and the effect. Alternatively, if the effect results from tracking information across events, regardless of immersion, the location-updating effect should still be observable.
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