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Translation Text Tune Language Published Notes "Christe, du Lamm Gottes" "Christus, der uns selig macht" Christ who makes us blessed Michael Weiße: Bohemian Brethren: German 1531 "Da der Herr Christ zu Tische saß" When the Lord Christ sat at the table Nikolaus Herman: in Görlitz German 1560 "Da Jesus an dem Kreuze stund" When Jesus stood by ...
The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. [3] Whatever the chosen scene division (none of them indicated by the composer in the score), scenes end on an aria, a chorus, or in the midst of a Gospel text section.
BWV 244 – St Matthew Passion (Matthäus-Passion) BWV 244b – St Matthew Passion, early version(s) BWV 245 – St John Passion (Johannes-Passion), various versions, including: [24] St. John Passion, 2nd version, with opening chorus "O Mensch, bewein dein Sünde groß" (1725), BDW 00308, containing: BWV 245a – Aria "Himmel reiße, Welt erbebe"
Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724.
The oratorio Passion, made famous by Johann Sebastian Bach in his St John Passion and St Matthew Passion, is the style that is most familiar to the modern listener. It makes use of recitative to tell the Passion narrative and initially intersperses reflective chorales but later arias and choruses as well.
Bach wrote the St Mark Passion, BWV 247 for 1731. Picander's libretto for the Passion was once thought to have been destroyed in the bombing of Dresden in World War II, but the recovered copy seems to show that the work was a parody of music from the so-called Trauer-Ode, Laß, Fürstin, laß noch einen Strahl, BWV 198, and that some choruses were used also in the Christmas Oratorio.
Matthew 13 is the thirteenth chapter in the Gospel of Matthew in the New Testament section of the Christian Bible. This chapter contains the third of the five Discourses of Matthew, called the Parabolic Discourse, based on the parables of the Kingdom. [1] At the end of the chapter, Jesus is rejected by the people of his hometown, Nazareth.
The earliest recordings of the St Matthew Passion were released on 78 records, although this medium was problematic for such a long work, because the discs only offered about 5 minutes per side. The first recording of the work was conducted by David McKinley Williams with the choir of St. Bartholomew's Church , New York in 1930, but it was not ...
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