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Psalm 98 is the 98th psalm of the Book of Psalms, beginning in English in the King James Version: "O sing unto the Lord a new song; for he hath done marvellous things". The Book of Psalms starts the third section of the Hebrew Bible , and, as such, is a book of the Christian Old Testament .
" Nun singt ein neues Lied dem Herren" (Now sing a new song to the Lord) is a Christian hymn with German text by Georg Thurmair. He based it on Psalm 98 and wrote it in 1967 to match a traditional 16th-century melody. The song is part of German hymnals, including Gotteslob, and songbooks.
Psalm 149 shares its first line with Psalm 98, known as Cantate Domino. Both psalms call for praise of God in music and dance, because God has chosen his people and helped them to victory. [2] [3] [4] Psalm 149 also calls to be ready to fight, with "swords sharpened on both sides in their hands". [5] The end of the psalm has been interpreted ...
A psalm of praise to the holy and mighty God who is known throughout all the earth. People: יהוה YHVH God. Related Articles: Psalm 98 - Divine judgment. English Text: American Standard - Douay-Rheims - Free - King James - Jewish Publication Society - Tyndale - World English - Wycliffe
Sing[e]t dem Herrn ein neues Lied" ("Sing unto the Lord a new song") is a Lutheran hymn in four stanzas by Matthäus Apelles von Löwenstern. [1] [2] The text is based on Psalm 149. [2] The hymn was first published in 1644. [2] Löwenstern is also the composer of its hymn tune, in C major, Zahn No. 6424.
The song was first published in 1719 in Watts's collection The Psalms of David: Imitated in the Language of the New Testament, and applied to the Christian State and Worship. [2] The paraphrase is Watts's Christological interpretation. Consequently, he does not emphasize with equal weight the various themes of Psalm 98.
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Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...