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The following other wikis use this file: Usage on ms.wikisource.org Page:The Lord’s prayer in five hundred languages.pdf/114; Usage on wikisource.org
In the Byzantine Rite, whenever a priest is officiating, after the Lord's Prayer he intones this augmented form of the doxology, "For thine is the kingdom and the power and the glory: of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto ages of ages.", [k] and in either instance, reciter(s) of the prayer reply "Amen".
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [1] [2] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs. [3]
"The Lord's Prayer" is a musical setting of the biblical Lord's Prayer, composed by Albert Hay Malotte in 1935, and recorded by many notable singers. According to his New York Times obituary: "Mr. Malotte's musical setting of 'The Lord's Prayer' was the first one that achieved popularity, although the prayer had been set to music many times before."
The text of the Matthean Lord's Prayer in the King James Version (KJV) of the Bible ultimately derives from first Old English translations. Not considering the doxology, only five words of the KJV are later borrowings directly from the Latin Vulgate (these being debts, debtors, temptation, deliver, and amen). [1]
9 "Pray along these lines: 'Our Father in heaven, we honor your holy name. 10 We ask that your kingdom will come now. May your will be done here on earth, just as it is in heaven. 11 Give us our food again today, as usual, 12 and forgive us our sins, just as we have forgiven those who have sinned against us.
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