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Waterfall is a style of furniture design from the 1930s and 1940s. It was the most prevalent variation on Art Deco furniture during this time, [1] primarily created for the mass market and for bedroom suites. [2] [3]
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Chest of drawers from the 18th century, collection King Baudouin Foundation. A chest of drawers, also called (especially in North American English) a dresser or a bureau, [1] is a type of cabinet (a piece of furniture) that has multiple parallel, horizontal drawers generally stacked one above another.
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
In the book, the authors denounced Victorian-style interior decoration and interior design, especially those rooms that were decorated with heavy window curtains, Victorian bric-a-brac, and overstuffed furniture. They argued that such rooms emphasized upholstery at the expense of proper space planning and architectural design and were ...
Jules Leleu was a traditional furniture designer who moved smoothly into Art Deco in the 1920s; he designed the furniture for the dining room of the Élysée Palace, and for the first-class cabins of the steamship Normandie. his style was characterized by the use of ebony, Macassar wood, walnut, with decoration of plaques of ivory and mother of ...
Christopher Dresser (4 July 1834 – 24 November 1904) was a British designer and design theorist, now widely known as one of the first and most important independent designers. He was a pivotal figure in the Aesthetic Movement and a major contributor to the allied Anglo-Japanese or Modern Style (British Art Nouveau style) , both of which ...
Living room of the House of Glass, showing what future homes would look like The 1939 New York World's Fair marked a turning point in architecture between Art Deco and modern architecture. The theme of the Fair was the World of Tomorrow , and its symbols were the purely geometric trylon and periphery sculpture.
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