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This makes La Llorona briefly assume her human appearance and caress Chris, imagining him to be her real son. However, Sam accidentally unveils a mirror, and La Llorona reverts and proceeds to attack them. Anna stabs her through the chest with a cross made from a Fire Tree given by Rafael: trees that grew by the river where La Llorona drowned ...
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Critical reception for La Llorona has been positive. On Rotten Tomatoes, the film holds a rating of 96%, based on 95 reviews, with an average rating of 8/10.The website's critical consensus reads "La Llorona puts a fresh spin on the familiar legend by blending the supernatural and the political to resolutely chilling effect."
La Llorona (English: The Crying Woman) is a 1960 Mexican film directed by René Cardona. [1] Based on the tale of La Llorona , it tells of a family that is cursed by the evil spirit of Luisa, this story's "weeping woman".
Renee Schonfeld of Common Sense Media gave it 3 out of 5 stars, and wrote, "Filled with wonderfully inventive animation, witty dialogue, and rich characterizations, La Leyenda de La Llorona is a treat for kids who read well enough to manage the subtitles, and who won't be upset by the legend of a dead woman who believes she is responsible for ...
Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
The real life Mexican folk legend of "La Llorona" (The Crying Woman) supplied the basis for multiple Mexican-made movies, none more polished and effective than The Curse of the Crying Woman (1961), a Gothic-styled movie with notable make-up effects. [1]
A sequel, The Legend of La Llorona, based on the La Llorona ("The Weeping Woman") legend, was released on 21 October 2011 with 225 to 300 copies. [9] Unlike its predecessor, it was produced by Ánima Estudios and directed and co-written by Alberto Rodríguez, who, along with the studio, took over the production of further films.