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"Good Shepherd" originated in a very early 19th century hymn written by the Methodist minister Reverend John Adam Granade (1770–1807), "Let Thy Kingdom, Blessed Savior". [1] [2] [3] Granade was a significant figure of the Great Revival in the American West during the 19th century's first decade, as the most important author of camp meeting hymns during that time. [4]
Bach composed the cantata in his second annual cycle in Leipzig for the second Sunday after Easter, called Misericordias Domini.The prescribed readings for that Sunday were from the First Epistle of Peter, Christ as a model (1 Peter 2:21–25), and from the Gospel of John, the Good Shepherd (John 10:11–16).
Good Shepherd Sunday is the day on which the Gospel passage of the Good Shepherd is read during the liturgies of certain Christian denominations. This may be the: This may be the: Second Sunday after Easter or Third Sunday of Easter , the traditional Good Shepherd Sunday
"Good Shepherd Sunday" is due to the Gospel reading assigned to it (John 10:11–16). In the 1970 revision of the Roman Missal , this day was designated the "Third Sunday of Easter." The "Misericórdia Dómini" introit for this Sunday was swapped with that of the following Sunday , [ 4 ] and the "Good Shepherd" Gospel reading was likewise moved ...
Der Herr ist mein getreuer Hirt (The Lord is my faithful Shepherd), [1] BWV 112, is a cantata by Johann Sebastian Bach, a church cantata for the second Sunday after Easter. Bach composed the chorale cantata in Leipzig and first performed it on 8 April 1731.
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
The image from this parable of the shepherd placing the lost sheep on his shoulders has been widely incorporated into depictions of the Good Shepherd. [5] Consequently, this parable appears in art mostly as an influence on depictions of the Good Shepherd rather than as a distinct subject on its own.