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Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology. Throughout the ...
"O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; no original source or date has been confirmed for the simple melody or poetic text.
The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register .
Further pious veneration of Mary encouraged by Popes are exhibited in the canonical coronations granted to popular Marian images venerated in a particular locality all over the world, while Marian movements and societies with millions of members have arisen from belief in events such as Guadalupe, Lourdes, Fátima, Akita, and other reasons. [8]
Chant notation of the "Regina caeli" antiphon in simple tone "Regina caeli" (Ecclesiastical Latin: [reˈdʒina ˈtʃeli]; Queen of Heaven) is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost.
" Mit dir, Maria, singen wir" (With you, Mary, we sing) is a Christian hymn. The original text was written in French; it was translated into German by Eugen Eckert in 1994. The hymn of the genre Neues Geistliches Lied with a melody by Jean-Claude Gianadda paraphrases the Magnificat. The song is included in Protestant and Catholic hymnals and ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
Marian image Shrine of devotion La Madonna della Febbre: 27 May 1631: Sacristy of Saint Peter's Basilica: Pope Urban VIII: La Madonna dei Monti [1] 3 September 1632 Santa Maria ai Monti, Rome: Pope Urban VIII Madonna di Strada Cupa [2] 5 April 1634 Santa Maria in Trastevere, Rome: Pope Urban VIII Madonna della Pace [3] 29 July 1634 Santa Maria ...