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"Ready, Willing, and Able" is a popular song written by Al Rinker, Floyd Huddleston, and Dick Gleason. [1] The song was performed by Doris Day in the 1954 musical film Young at Heart, [2] The song was released in November 1954 together with "Hold Me in Your Arms", both from the same film. [3] The song is included on the soundtrack album from ...
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting.It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film Ready, Willing, and Able, as well as used for a production number in a musical revue on Broadway.
"Ready, Willing and Able" is a song written by Jess Leary and Jody Alan Sweet. It was first recorded in 1994 by Daron Norwood for his 1995 Giant Records album of the same name . It was later recorded by Lari White .
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Ready, Willing, and Able, a song by Floyd Huddleston, Dick Gleason, and Al Rinker, popularized by Doris Day in the movie Young at Heart "Ready, Willing and Able", a song by All Saints from Saints & Sinners ”Ready, Willing and Able,” a song by Petra off of their album Unseen Power; Ready, Willing and Able, 1995 album by Daron Norwood
Ready, Willing, and Able is a 1937 American musical film directed by Ray Enright and starring Ruby Keeler, Lee Dixon, Allen Jenkins and Ross Alexander. [1] It was produced and distributed by Warner Brothers. Songs in the film were written by composer Richard A. Whiting and lyricist Johnny Mercer.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
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