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Casey are a Welsh rock band from South Wales, United Kingdom. Formed in 2014, under the name Well Wisher , the band began as a studio only project by Tom Weaver and Liam Torrance, before expanding into a live performing quintet playing a style of emotional and dynamic music based in hardcore punk , shoegaze and post-rock .
This is a category for bands that are part of the Long Island, New York music scene. Pages in category "Musical groups from Long Island" The following 118 pages are in this category, out of 118 total.
Eschewing traditional music merchandising, the band encouraged fans to bring blank T-shirts to shows, which the band would spray paint for using custom stencils, as well as blank CDs, onto which the band would burn copies of their album; Rosenstock and his collaborators provided these services for free, accepting donations when offered. [2]
The Movielife is a Long Island punk rock band composed of vocalist Vinnie Caruana, guitarist Brandon Reilly, and drummer Brett Romnes. The band originally formed in 1997 and disbanded in 2003, but announced their official reunion in December 2014.
The Dear Hunter is an American progressive rock band originating in Providence, Rhode Island. It began as a side project of Casey Crescenzo when he was a member of the Receiving End of Sirens, before becoming his main band in 2006. The band's sound features a wide variety of instruments and styles. [1]
A man and woman who sold pro-Donald Trump merchandise out of a bus covered with pro-Trump flags and posters are homeless after the vehicle crashed into several street signs and utility poles in ...
The Tuneful Trolley was an American psych-pop sextet from the late 1960s. Originally a high school band called "The Mark of Quality" from Suffolk County, Long Island, they were discovered and renamed by Sandy Yaguda of Jay and the Americans. [1]
In 2005, Odyssey, the band's second album, was released.The album featured songs that were more structured and more accurately described as electropop than electroclash."Odyssey was really about being on Capitol, which was this icon of classic American music, trying to embrace that cliché and find a way to embody it and infiltrate it and take it apart at the same time", [2] says Spooner.