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"Little Sister" is a rock and roll song written by Doc Pomus and Mort Shuman. [1] It was originally released as a single in 1961 by American singer Elvis Presley, who enjoyed a No. 5 hit with it on the Billboard Hot 100. The single (as a double A-side with "(Marie's the Name) His Latest Flame") also reached No. 1 in the UK Singles Chart. [6]
Elvis Country (I'm 10,000 Years Old) Little Darlin' Maurice Williams: 1977: Moody Blue: Little Egypt (Ying-Yang) Jerry Leiber and Mike Stoller: 1964: Roustabout: A Little Less Conversation: Billy Strange, Mac Davis: 1968: Almost in Love: Little Mama: Gene Clark: 1955: A Boy from Tupelo: The Complete 1953-1955 Recordings: Little Sister: Doc ...
The iconic nature of Elvis Presley in music and popular culture has often made him a subject of, or a touchstone in, numerous songs, both in America and throughout the world. A few of Presley's own songs became huge hits in certain regions of the world, in versions whose translation into the required language bore little or no resemblance to ...
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
Elvis: 30 #1 Hits (stylised as ELV1S: 30 #1 HITS) is a greatest hits collection of songs by American rock and roll singer Elvis Presley. It was released by RCA Records on September 24, 2002.
According to Josh Homme, the song was inspired by the "sort of sexual twist" of Doc Pomus's song of the same name, which is probably best known as recorded by Elvis Presley: "I like the amalgam of imagery that it puts forward, that throwing a little pebble at the girl's windows late at night, you know, trying to creep in the back door, you know ...
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For the sake of contrast, the four song mini-set documenting the final performance of Presley's first Vegas stand on May 6, 1956, begins disc four. What remains consistent - in both the brief 1956 set as well as on the remainder of the mid-'70s recordings - is Presley's impeccable taste in cover material.