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The film was released in FR Yugoslavia (Serbia and Montenegro) in May 1998 where it became a cinema hit with 450,000 admission tickets sold [13] despite its promotional cycle in the country being severely impacted by the government's refusal to run the film's ads on state television RTS (then under general manager Dragoljub Milanović).
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
Most of the events the two main characters discuss in the play take place during the 1970's and 80's, and the earliest events described in the film take place in 1991. The entire subplot concerning the relationship between Luka's daughter and Teja is added in the film, in the play Luka has a son who is merely Teja's acquaintance.
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Underground was selected as the Serbian entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee. [26] [27] Underground also nominated for Best Foreign Film at the 13th Independent Spirit Awards nearly 3 years after the film won Palme d'Or, but lost to The Sweet Hereafter. [28]
A Serbian Film (Serbian: Српски филм, Srpski film) is a 2010 Serbian exploitation horror film produced and directed by Srđan Spasojević in his feature directorial debut, with Aleksandar Radivojević co-writing. [4]
Partisan film (Serbo-Croatian: partizanski film / партизански филм) is the name for a subgenre of war films made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of Partisan films are that they are set in Yugoslavia during World War II and have Yugoslav Partisans as protagonists, while ...
Clip (Serbian: Клип, romanized: Klip) is a 2012 Serbian drama film written and directed by Maja Miloš, her first time directing, and starring Isidora Simijonović in her first film role. The film's title derives from the many short cell phone videos made by the film's central character, Jasna (Simijonović), a troubled teenager whose ...