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Also during the 16th century were John Bull (1562–1628), best-known organist of the Elizabethan era, and John Dowland (1563–1626), leading composer of lute music. John Dowland published his first book of songs or "ayres" in 1597.
The four tragedies considered to be Shakespeare's greatest (Hamlet, Othello, King Lear and Macbeth) were composed during this period. Comedies were common, too. A subgenre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy.
The Venetian ambassador to England, Zorzi Giustinian, saw a play titled Pericles during his time in London, which ran from 5 Jan 1606 to 23 Nov 1608. As far as is known, there was no other play with the same title that was acted in this era; the logical assumption is that this must have been Shakespeare's play. [27]
During the Elizabethan era, people looked forward to holidays because opportunities for leisure were limited, with time away from hard work being restricted to periods after church on Sundays. For the most part, leisure and festivities took place on a public church holy day. Every month had its own holiday, some of which are listed below:
– Anastasia, Herdon, Virginia, 15 The role of Desdemona, the devoted, loving wife murdered by her husband in “Othello,” wasn’t performed by a woman until 1660 – about six decades after ...
The above tables exclude Shakespeare's Titus Andronicus (composed c. 1589, revised c. 1593), which is not closely based on Roman history or legend but which, it has been suggested, may have been written in reply to Marlowe's Dido, Queene of Carthage, Marlowe's play presenting an idealised picture of Rome's origins, Shakespeare's "a terrible ...
Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs and even certain fringe theories as to whether the works attributed to him were written by others. Shakespeare produced most of his known works between 1589 and 1613.
In the early 20th century Elizabethan music began to be used as incidental music in a bid for more authenticity. Gradually some new scores were introduced. Vaughan Williams was engaged to write incidental music at Stratford between 1912 and 1913. Rosabel Watson directed and arranged music for many productions at Stratford and elsewhere. [3]