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[12] [13] Elías had previous voice-acting experience prior to Charro Negro, including that of the Spanish-dubbing versions of Cloudy with a Chance of Meatballs and its sequel both produced by Sony Pictures Animation. [12] Elías said his voice work experience in Charro Negro is "different" from his dubbing roles Meatballs films. "It was very ...
The Goya Award for Best Fictional Short Film (Spanish: Premio Goya a la mejor cortometraje de ficción) is one of the Goya Awards, Spain's principal national film awards. [1] From 1989 to 1991 there was only one award for short films under the name Best Short Film ("Mejor cortometraje"), since 1992 it has been presented under its current for ...
María del Socorro Tellado López (25 April 1927 in El Franco, Asturias, Spain – 11 April 2009), known as Corín Tellado, was a prolific Spanish writer of romantic novels and photonovels that were best-sellers in several Spanish-language countries.
Darker Than Night (Spanish: Más Negro que la Noche) is a 2014 Mexican horror film and a remake of the 1975 original.The movie is the first 3D Mexican horror film and it tells the story of an eccentric old woman who dies and leaves her opulent mansion to her niece, Greta.
It was considered the shortest short story in the Spanish language until the publication of another three works during the 21st century: one in 2005, El emigrante, by Luis Felipe Lomelí; [2] other, in 2006, Luis XIV, by Juan Pedro Aparicio, and one in 2015, Epitafio para un microrrelatista, by Marcelo Gobbo. [3]
The song "La Llorona" is featured in the 2017 Disney-Pixar film Coco; it is performed by Alanna Ubach as Imelda Rivera and Antonio Sol in a guest appearance as Ernesto de la Cruz in the English version and Angelica Vale and Marco Antonio Solis in the Spanish version. In the film, Imelda sings the song during the sunrise concert as she attempts ...
"The Black Cat" is a short story by the American writer Edgar Allan Poe. It was first published in the August 19, 1843, edition of The Saturday Evening Post.In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them.
African-American filmmaker Spike Lee coined the term, deriding the archetype of the "super-duper magical negro" in 2001 while discussing films with students at Washington State University and at Yale University. [1] [2] The Magical Negro is a subset of the more generic numinous Negro, a term coined by Richard Brookhiser in the National Review. [3]