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J. E. K. Aggrey-Orleans joined the administrative class of the Ghanaian Foreign and Diplomatic Service in 1963. [9] Between 1966 and 1970, he was a foreign service officer and First Secretary at the Ghana Permanent Mission to the United Nations in New York.
Diplomatic missions of Ghana. The Republic of Ghana has several diplomatic missions worldwide. As a member of the Commonwealth of Nations, Ghanaian diplomatic missions in the capitals of other Commonwealth members are known as High Commissions. Excluded from this listing are honorary consulates and trade missions.
He served as Ghana's Charge de Affair to the United States of America from 2 July 1972 to 18 July 1972. Prior to this appointment, he was Ghana's High Commissioner to Kenya from 1969 to 1970, [ 4 ] [ 5 ] and First Secretary to the Ghana permanent mission to the United States of America from 1962 to 1964.
Nestled in the Northern Catskills, the tiny village of Hobart, New York, is home to around 400 residents, and millions of fascinating characters, all stacked high on shelves. Hobart is a book village.
Gbeho was Deputy High Commissioner to the Court of St. James's (UK) from 1972 until 1976, Ambassador and Permanent Representative of Ghana to the European offices of the United Nations in Geneva (1978–80), with concurrent accreditation to UNIDO in Vienna, Austria, [3] and was Ghana's Permanent Representative to the United Nations in New York ...
Kanda was born at Kpandu in the Volta Region of Ghana. He attended Aggrey Memorial A.M.E. Zion Senior High School. He later obtained a Bachelor of Arts degree in 1975 from the University of Ghana where he studied Political science and Modern history. He also received a graduate diploma in international studies three years later.
The Basel Mission, on the other hand, saw in him only a “big fetish man” with a thin veneer of Christianity.” [1] Other scholars of mission history posit that Oppong was “a real prophet cast in the mould of Elijah or John the Baptist and called ‘to break the power of fetishism in Ghana and to alter fundamentally the history of Ashanti ...
At the end of the book, Quiñones-Peña shares the origin of the story with pictures of her family. It is followed by a portion where children who read it can write their own immigration journey.