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When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]
Painting and Travel visit Amish country and the Miller Carriage Shop in Shipshewana, Indiana. Sarah talks with the owner of the hand built carriage business and watches the buggies being built to various stages of completion. Roger chooses to paint a landscape with one of the horse drawn carriages on a hilly country road.
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
Still Life with French Novels and a Rose is a painting with a number of novels with bindings of contrasting colors: green against pink and red. The books are meant to represent seven Parisian novels Van Gogh owned, [ 51 ] that Van Gogh described as "a great source of light", regardless of the somber literature they contain.
Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency (plastic wrap, water), reflected light, [ 1 ] and multiple overlapping patterns depicted in bold, high color values.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Abraham Hendriksz van Beijeren or Abraham van Beyeren [1] (c. 1620, The Hague – March 1690, Overschie ()) was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.
File: Georges Braque, 1910, Violon, verre et couteau (Still Life with Violin, Glass and Knife), oil on canvas, 51 × 67 cm, oval, National Gallery, Prague.jpg
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