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A tawiz (Urdu: تعویز, Hindi: तावीज़), [1] muska , ta'wiz, or taʿwīdh (Arabic: تعويذ) is an amulet or locket worn for protection common in South Asia. [2] Tawiz is sometimes worn by Muslims with the belief of getting protection or blessings by virtue of what is in it. It is intended to be an amulet.
In some cases words have entered the English language by multiple routes - occasionally ending up with different meanings, spellings, or pronunciations, just as with words with European etymologies. Many entered English during the British Raj in colonial India. These borrowings, dating back to the colonial period, are often labeled as "Anglo ...
List of takhalluses of some Urdu poets: Faiz – Faiz Ahmed Faiz; Fani — Fani Badayuni, Shaukat Ali Khan; Ghalib – Mirza Asadullah Baig Khan; Hali – Altaf Hussain Hali, Altaf Hussain; Jigar - Jigar Moradabadi, Sikander Ali Moradabadi; Kaki - Qutbuddin Bakhtiar Kaki, Khwaja Qutbuddin Bakhtiar; Mir - Mir Taqi Mir, Mir Muhammad Taqi
The name Urdu was first introduced by the poet Ghulam Hamadani Mushafi around 1780. [29] [30] As a literary language, Urdu took shape in courtly, elite settings. [80] [81] While Urdu retained the grammar and core Indo-Aryan vocabulary of the local Indian dialect Khariboli, it adopted the Perso-Arab writing system, written in the Nastaleeq style.
Feroz-ul-Lughat Urdu Jamia (Urdu: فیروز الغات اردو جامع) is an Urdu-to-Urdu dictionary published by Ferozsons (Private) Limited. It was originally compiled by Maulvi Ferozeuddin in 1897. The dictionary contains about 100,000 ancient and popular words, compounds, derivatives, idioms, proverbs, and modern scientific, literary ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Note that Hindi–Urdu transliteration schemes can be used for Punjabi as well, for Gurmukhi (Eastern Punjabi) to Shahmukhi (Western Punjabi) conversion, since Shahmukhi is a superset of the Urdu alphabet (with 2 extra consonants) and the Gurmukhi script can be easily converted to the Devanagari script.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]