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These are depictions of diverse aspects of war in film and television, including but not limited to documentaries, TV mini-series, drama serials, and propaganda film.The list starts before World War I, followed by the Roaring Twenties, and then the Great Depression, which eventually saw the outbreak of World War II in 1939, which ended in 1945.
US Army's Rainbow Division: D, R P, N 1925 US The Dark Angel: George Fitzmaurice: After being blinded in WW1, a man disappears and becomes a famous author. Thinking he's dead, his friend tries to move in on his girl. R, D, L P 1925 UK: Ypres: Walter Summers: Battle reconstruction film of the several battles at Ypres. 1926 US The Better 'Ole ...
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
Saints and Soldiers; Saints and Soldiers: Airborne Creed; Saints and Soldiers: The Void; Sand Castle (film) Saving Jessica Lynch; Sergeant York (film) The Sergeant (1968 film) Sgt. Bilko; Sgt. Stubby: An American Hero; The Siege; The Six Triple Eight; Soldier in the Rain; Soldier's Girl; Soldiers of Fortune (2012 film) A Soldier's Story; Source ...
Joseph R. Beyrle (pron. BYE-er-lee) (Russian: Джозеф Вильямович Байерли; romanized: Dzhozef Vilyamovich Bayyerli; August 25, 1923 – December 12, 2004) is the only known American soldier to have served in combat with both the United States Army and the Soviet Red Army in World War II.
a play by Michael Bradford depicting African-American World War II soldiers and the troubles they encounter upon returning home to the Deep South. [201] 2006 () Flyboys (film) Film set during World War 1 about the Lafayette Escadrille (the 124th air squadron formed by the French in 1916). It was mostly composed of volunteer American pilots ...
The Negro Soldier is a 1944 documentary film created by the United States Army during World War II. [1] It was produced by Frank Capra as a follow-up to his successful film series Why We Fight . The army used the film as propaganda to convince black Americans to enlist in the army and fight in the war.
The U.S. entered the war in April 1917, which achieved Wellington House's primary objective. The DOI increased its production of war films, but did not know what would play most effectively in the U.S., leading to nearly every British war film being sent to the States thereafter, including The Tanks in Action at the Battle of the Ancre and The Retreat of the Germans at the Battle of Arras ...