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In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts ( literary , visual , musical and performing arts ).
Lenore Keeshig-Tobias is an Anishinabe storyteller, poet, scholar, and journalist and a major advocate for Indigenous writers in Canada. [1] She is a member of the Chippewas of Nawash Unceded First Nation.
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Appropriation may refer to: Appropriation (art) the use of pre-existing objects or images with little or no transformation; Appropriation (law) as a component of government spending; Appropriation of knowledge; Appropriation (sociology) in relation to the spread of knowledge; Appropriation (ecclesiastical) of the income of a benefice
In the sociological sense, recuperation is the process by which politically radical ideas and images are twisted, co-opted, absorbed, defused, incorporated, annexed or commodified within media culture and bourgeois society, and thus become interpreted through a neutralized, innocuous or more socially conventional perspective.
Aestheticians and art philosophers often engage in disputes about how to define art. By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal ...
The straw-to-gold quandary is the plot device driving the Grimms' version of the age-old fable, published by Georg Reimer in 1812. But an earlier iteration — one recorded by the Grimms just two years earlier, and sent to academic friends for comment — tells a different, more empowering story of the miller's daughter.
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