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History is a social resource that contributes to shaping national identity, culture, and the public memory. Through the study of history, people are imbued with a particular cultural identity; therefore, by negatively revising history, the negationist can craft a specific, ideological identity.
The earliest knowledge society has on the history of books actually predates what would conventionally be called "books" today and begins with tablets, scrolls, and sheets of papyrus. The current format that we consider to be books, with separate sheets fastened together rather than a scroll, is called a codex .
Creating new conventions of art-making, they made acceptable in serious contemporary art circles the radical inclusion in their works of unlikely materials. Another pioneer of collage was Joseph Cornell , whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects .
The Counter-Enlightenment refers to a loose collection of intellectual stances that arose during the European Enlightenment in opposition to its mainstream attitudes and ideals. The Counter-Enlightenment is generally seen to have continued from the 18th century into the early 19th century, especially with the rise of Romanticism .
In historiography, historical revisionism is the reinterpretation of a historical account. [1] It usually involves challenging the orthodox (established, accepted or traditional) scholarly views or narratives regarding a historical event, timespan, or phenomenon by introducing contrary evidence or reinterpreting the motivations and decisions of the people involved.
For this reason art history keeps the term modernity distinct from the terms Modern Age and Modernism – as a discrete "term applied to the cultural condition in which the seemingly absolute necessity of innovation becomes a primary fact of life, work, and thought". And modernity in art "is more than merely the state of being modern, or the ...
The Kelmscott Press: A History of William Morris's Typographical Adventure. Oxford University Press. ISBN 978-0-19-812887-8. Plath, Sylvia (1983). The Journals of Sylvia Plath, Foreword by Ted Hughes. Ballantyne Books. ISBN 9780345351685. Poole, Reginald Lane (1912). A Lecture on the History of the University Archives. Clarendon Press.
Eastern civilization broadly includes Asia, and it also includes a complex tradition of art making. One approach to Eastern art history divides the field by nation, with foci on Indian art, Chinese art, and Japanese art. Due to the size of the continent, the distinction between Eastern Asia and Southern Asia in the context of arts can be ...
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