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Motorized potentiometers can be found in audio/video equipment, specifically mixing consoles. [1] In this application, they are called motorized faders . Mixing consoles with motorized faders typically are used to save and restore settings on the same console and sometimes to transfer settings to a different console.
The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader. However, on some small mixers, rotary knobs are used instead to save space (and cost).
These mixers were the first ones that incorporated channel strips that look like fader channels today. The Integra Control Surface controlled a rack mixer using LDR (light-dependent resistors) and reed relays. The next major development happened another decade later in the 1970s when motorized faders (flying Faders) were invented.
This was the first and largest control surface in the VENUE range, and was discontinued in 2015. The main unit, which includes a trackball, master controls, faders and meters, can be expanded with up to three sidecars to give a maximum of 56 faders. [1] One sidecar was included in the standard package.
Moving Fader Automation a motor is attached to the fader, which then can be controlled by the console, digital audio workstation (DAW), or user. Software Controlled Automation the software can be internal to the console, or external as part of a DAW. The virtual fader can be adjusted in the software by the user. MIDI Automation
Audio mixer faders in a London pub.. In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. [1] The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).
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