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Other ancient authors who wrote about Socrates were Aeschines of Sphettus, Antisthenes, Aristippus, Bryson, Cebes, Crito, Euclid of Megara, Phaedo and Aristotle, all of whom wrote after Socrates's death. [28] Aristotle was not a contemporary of Socrates; he studied under Plato at the latter's Academy for twenty years. [29]
It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito. One of the main themes in the Phaedo is the idea that the soul is immortal .
The Trial of Socrates (399 BC) was held to determine the philosopher's guilt of two charges: asebeia against the pantheon of Athens, and corruption of the youth of the city-state; the accusers cited two impious acts by Socrates: "failing to acknowledge the gods that the city acknowledges" and "introducing new deities".
The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
In the Trial of Socrates, the judgement of the court was death for Socrates; most of the jurors voted for the death penalty (Apology 38c), yet Plato provides no jury-vote numbers in the text of the Apology of Socrates; but Diogenes Laërtius reports that 280 jurors voted for the death penalty and 220 jurors voted for a pecuniary fine for ...
For Socrates, to be separated from elenchus by exile (preventing him from investigating the statement) was therefore a fate worse than death. Since Socrates was religious and trusted his religious experiences, such as his guiding daimonic voice, he accordingly preferred to continue to seek the truth to the answer to his question, in the after ...
Ostensibly, the purpose of the dialogue is to provide Socrates with a definitive meaning of "piety", with which he can defend against the charge of impiety in the pending trial. Socrates seeks a definition of "piety" that is a universal (universally true), against which all actions can be measured to determine whether or not the actions are pious.
Socratic dialogue (Ancient Greek: Σωκρατικὸς λόγος) is a genre of literary prose developed in Greece at the turn of the fourth century BC. The earliest ones are preserved in the works of Plato and Xenophon and all involve Socrates as the protagonist.