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CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
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Cinema Scope was an English-language film magazine published in Toronto, Canada. [1] History and profile. The first issue of Cinema Scope was published in 1999. Up ...
The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2.35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. All of these phrases ...
Often commercially branded as Panavision format or "'Scope". One of two common formats in digital cinema, where it is called "scope". 2.4:1 = 12:5 ~ 21:9 Rounded notation of 2.39:1 also known as 2.40:1. All film releases may use 800 lines of the 1920×800 resolution resulting in the 2.40:1 aspect ratio of Blu-ray Disc. 2.55:1 = 51:20
‘La Suprema’ Review: Felipe Holguín Caro’s Twist on a Boxing Drama Is Modest in Scope, Big on Heart. Manuel Betancourt. December 21, 2024 at 4:00 AM. What is a place if it’s not on a map ...
The company built a series of anamorphic lenses in the 2.35:1 scope format, and owned several camera bodies (Mitchell and Arriflex) that they would provide with the lens package. Films produced in Todd-AO 35 include Conquest of the Planet of the Apes, Conan the Barbarian, Mad Max, Dune and Logan's Run. [13]
These figures, particularly in mint condition and original packaging, represent not just a piece of cinema history but a lucrative investment. Vintage Fashion.