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It should only contain pages that are Louis Armstrong songs or lists of Louis Armstrong songs, ... Saint Louis Blues (song) Shine (1910 song) Skokiaan;
"The Saint Louis Blues" (or "St. Louis Blues") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire.
Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music. His career spanned five decades, from the 1920s to the 1960s, and different eras in jazz.
Armstrong was a gifted composer who wrote more than 50 songs, some of which have become jazz standards (e.g., "Gully Low Blues", "Potato Head Blues", and "Swing That Music"). Colleagues and followers With Jack Teagarden (left) and Barney Bigard (right), Armstrong plays the trumpet in Helsinki, Finland , October 1949.
"St. James Infirmary" on tenor sax "St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose", a pseudonym used by musician manager, music promoter and publisher Irving Mills. [1]
"Potato Head Blues" is a Louis Armstrong composition regarded as one of his finest recordings. It was made by Louis Armstrong and his Hot Seven [ 1 ] for Okeh Records in Chicago, Illinois on May 10, 1927.
"Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. [ 1 ]
By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...