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Reach Out is the fourth studio album by the Four Tops, issued on Motown Records in July 1967. The group's biggest-selling studio album, Reach Out includes six of the Four Tops' most successful singles including the US and UK #1 hit " Reach Out I'll Be There ", " Standing in the Shadows of Love ", " Bernadette " and " 7-Rooms of Gloom ".
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown 's main production team, Holland–Dozier–Holland , [ 3 ] the song is one of the most widely-known Motown hits of the 1960s and is ...
An additional 21 songs have reached the UK Top 40 with ten reaching the top ten and one reaching number one on the chart. Much of the group's catalog is now controlled by Universal Music Group , as a result of various transactions involving many of the record labels for which the Four Tops recorded for over the years.
August 1966 brought the release of the Four Tops' all-time biggest hit and one of the most popular Motown songs ever. "Reach Out I'll Be There" reached number 1 on the U.S. pop and R&B charts [4] and the UK chart and soon became the Tops' signature song. [3]
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
For example, relative to the key of C major, the key of F major is the subdominant. Music which modulates (changes key) often modulates to the subdominant when the leading tone is lowered by half step to the subtonic (B to B ♭ in the key of C). Modulation to the subdominant key often creates a sense of musical relaxation, as opposed to ...