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Edentia for soprano saxophone and electronic music (2007)—Karlheinz Stockhausen Three Jazzicals for soprano saxophone and tuba (2009)— Howard J. Buss Cosmic Portraits for flute, clarinet, alto saxophone, and tenor saxophone (2009)— Howard J. Buss
Gopalnath learnt to play karnatic music on the saxophone from N. Gopalakrishna Iyer of Kalaniketan, Mangalore. He presented his first concert in the All India Radio, Mangaluru in 1978. [1] In Madras, Gopalnath came in contact with the vocalist and mridangist guru T.V. Gopalkrishnan, who identified the youngster's potential and tutored him.
Sadao Watanabe (渡辺 貞夫, Watanabe Sadao, born 1 February 1933) is a Japanese jazz musician who plays alto saxophone and sopranino saxophone.He is known for his bossa nova recordings, although his work encompasses many styles, with collaborations from musicians all over the world.
Kenny G was born in Seattle, Washington and started playing the saxophone aged 10, inspired by a performance on The Ed Sullivan Show. He attended several schools in Seattle, including the University of Washington. During high school, he took private saxophone lessons and played in the school jazz band.
Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. [1]
Hubert Laws (born November 10, 1939) [1] is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres.He is one of the most recognized and respected jazz flutists in the history of jazz.
1939 sheet music cover, "Introduced by Glenn Miller", Shapiro, Bernstein, and Co., New York In February 1944, the Glenn Miller RCA Victor Bluebird 1939 studio recording of "In the Mood" was released as a V-Disc , one of a series of recordings sent free by the U.S. War Department to overseas military personnel during World War II.
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
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