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Raffaello Sanzio da Urbino [a] (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), [2] [b] now generally known in English as Raphael (UK: / ˈ r æ f eɪ. ə l / RAF-ay-əl, US: / ˈ r æ f i. ə l, ˈ r eɪ f i-, ˌ r ɑː f aɪ ˈ ɛ l / RAF-ee-əl, RAY-fee-, RAH-fy-EL), [4] was an Italian painter and architect of the High Renaissance.
St. George and the Dragon is a small oil on wood cabinet painting by the Italian High Renaissance artist Raphael, painted c. 1505, and now in the National Gallery of Art in Washington, D.C. The saint wears the blue garter of the English Order of the Garter , reflecting the award of this decoration in 1504 to Raphael's patron Guidobaldo da ...
La velata, or La donna velata ("The woman with the veil"), is a well known portrait by the Italian Renaissance painter Raffaello Sanzio, more commonly known as Raphael.The subject of the painting appears in another portrait, La Fornarina, and is traditionally identified as the fornarina (bakeress) Margherita Luti, Raphael's Roman mistress.
The Self-Portrait with a Friend (also known as Double Portrait and as Raphael and His Fencing Master [1]) is a painting by Italian High Renaissance painter Raphael. It dates to 1518–1520, [ 2 ] and is in the Louvre Museum of Paris , France .
Raphael did not paint any of the main events of the story. He chose the scene of the nymph's apotheosis ( Stanze , I, 118–119). Galatea appears surrounded by other sea creatures whose forms are somewhat inspired by Michelangelo , [ 2 ] whereas the bright colors and decoration are supposed to be inspired by ancient Roman painting.
Raphael (Raffaello Sanzio) (1483−1520) — an important High Italian Renaissance painter and architect. Subcategories. This category has the following 3 ...
That young man was Raphael Sanzio who immediately said he would like to paint her as she sat there with her two sons, later represented as the original Virgin, Christ child, and St. John. [9] Prince Hoare the younger (1755-1834) - Madonna della sedia (copy after Raphael) - 732245 - National Trust
Christof Thoenes observes: "However unabashedly Raphael adopts the pose, compositional framework and spatial organization of the Leonardo portrait...the cool watchfulness in the young woman's gaze is very different" from the "enigmatic ambiguity" of Mona Lisa. [2] The work was of uncertain attribution until recent times.