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The mon of the Toyotomi clan, now used as the emblem of the Japanese Government; originally an emblem of the imperial family—a stylized paulownia.. Mon (紋), also called monshō (紋章), mondokoro (紋所), and kamon (家紋), are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution, municipality or business entity.
The origin of the tomoe design is uncertain. The most common view is that tomoe patterns originated in magatama jewelry from late Jōmon period approximately 1,000 BCE of Japan which was used for the shinto rituals. A pattern resembling the two-comma tomoe (futatsudomoe) has been found in ancient cultures on all inhabited continents.
Japan Crest free material hakkodaiodo—Detailed commentary on Japanese kamon and a list of images. Free material is eps format. (in Japanese) This page was last ...
According to a study by Japan Kamon Society (ja:日本家紋研究会, Nihon Kamon Kenkyūkai), about 70% of the paulownia crests use this roundel of the 5-3 Paulownia. "Go-san Oni Kiri" [6] 五三鬼桐 [6] The 5-3 Paulownia flowers of this design resemble oni's sharp horns. 5-7 Paulownia "Go-shichi no Kiri" [7] 五七桐 [7]
The Imperial Seal of Japan or National Seal of Japan, also called the Chrysanthemum Seal (菊紋, kikumon), Chrysanthemum Flower Seal (菊花紋, 菊花紋章, kikukamon, kikukamonshō) or Imperial chrysanthemum emblem (菊の御紋, kikunogomon), is the mon used by the Emperor of Japan and members of the Imperial Family.
Kikko were used in the construction of traditional Japanese armour, suneate (greaves) and tate-eri (shoulder pads) often incorporated kikko in their design. Haidate (thigh guards) and kote (sleeves) could also be partially or completely armoured with kikko.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
During the Sengoku period (1467–1615) and the Azuchi–Momoyama period (1568–1600), the decoration of the kosode developed further, with bolder designs and flashy colours becoming popular. By this time, separate lower-body garments, such as the mō and hakama, were almost never worn, [15] allowing full-length patterns to be seen.