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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
The Divine Comedy by Dante Alighieri is an epic poem in Italian written between 1308 and 1321 that describes its author's journey through the Christian afterlife. [1] The three cantiche [i] of the poem, Inferno, Purgatorio, and Paradiso, describe Hell, Purgatory, and Heaven, respectively.
Of the books, Purgatorio is arguably the most lyrical of the three, referring to more contemporary poets and artists than Inferno; Paradiso is the most heavily theological, and the one in which, many scholars have argued, the Divine Comedy 's most beautiful and mystic passages appear.
[3] [5] [4] Kelly specifically contends that Dante wrote the dedication but the rest of the letter was written by a "Pseudo-Dante". [3] The academics Ralph G. Hall and Madison U. Sowell have suggested that American scholars are more likely to accept the Epistle as authentic while British and Italian scholars are more likely to consider it a ...
Beatrice "Bice" di Folco Portinari [1] (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy (La Divina Commedia), Paradiso, and during the ...
L'Inferno. L'Inferno (transl. The Hell) is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film. [2]
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
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