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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
He subsequently acted as general editor of the California Lectura Dantis, a collection of essays on the Comedy; two volumes, on the Inferno and Purgatorio, have been published. Mandelbaum received the 1973 National Book Award in category Translation for Virgil 's Aeneid . [ 4 ]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
The three cantiche [i] of the poem, Inferno, Purgatorio, and Paradiso, describe Hell, Purgatory, and Heaven, respectively. The poem is considered one of the greatest works of world literature [ 2 ] and helped establish Dante's Tuscan dialect as the standard form of the Italian language. [ 3 ]
[3] [5] [4] Kelly specifically contends that Dante wrote the dedication but the rest of the letter was written by a "Pseudo-Dante". [3] The academics Ralph G. Hall and Madison U. Sowell have suggested that American scholars are more likely to accept the Epistle as authentic while British and Italian scholars are more likely to consider it a ...
The Purgatorio of Dante Alighieri (1912). [41] An edition of Purgatorio. Edited by H. Oelsner, responsible for the Italian text and notes at the end of the cantos. Translated into English by Italian translator Thomas Okey (1852–1935), [42] with contributions by Philip H. Wicksteed. The Paradiso of Dante Alighieri (1912). [43]
Bonagiunta appears among the gluttons in Canto 24 of Purgatorio, the second canticle of Dante Alighieri's Divine Comedy. Bonagiunta is first pointed out by Forese Donati, who names numerous poets for Dante because their faces are unrecognizable due to their contrapasso: fasting. Bonagiunta appears to recognize Dante, and Dante hears him ...
Contrary to its primary title, it shows a scene from the Circle of the Envious, the second circle of Purgatory in Canto III of Purgatorio. The scene depicts Dante on the mountain of Purgatorio trying to comfort the blind men. It is now in the Museum of Fine Arts of Lyon.